The work of Portishead co-founder Geoff Barrow, this sharp-edged if undernourished debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one key story turn, but it leads to a comically executed chaotic run on the woodland paths that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
Game releases in British and Irish theaters from 17 November.
